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Services

Four practice areas, exactly the ones they publish.

Services

Four practice areas, in their own words

Residential Interiors

We turn dreams into singular homes, reflecting your identity in every detail.

Commercial Interiors

Innovative design that drives business. Create memorable experiences for your customers.

Corporate Interiors

Corporate environments that inspire, promote efficiency and reflect your identity.

Architectural Design

From residential to commercial, we create spaces that harmonise aesthetics and function.

These are exactly the four areas Studio Archi. publishes, with their own descriptions. Nothing has been added — no landscaping, no urbanism, no lighting design, no construction management. [CONFIRM whether any other real practice area exists]

Corporate meeting room with glazed partitions and integrated joinery, no people. Stock photograph used as a placeholder.

Residential kitchen with an island, stone worktop and warm timber joinery. Stock photograph used as a placeholder.

Architecture desk with a large monitor showing a three-dimensional model, drawings and a coffee; adult hands only, no face. Stock photograph used as a placeholder.

Open laptop on a video call with a floor plan being marked up on screen. Screen content only. Stock photograph used as a placeholder.

Remote delivery

On site or online, with no technical loss

“No. We work both in person and remotely. A large share of our projects is developed online, with no technical or operational loss whatsoever. Our methodology ensures the whole process flows with clarity, organisation and security, allowing the work on site to proceed without problems or worries.”

Today this sits as the second answer in a collapsed accordion at the bottom of the page. It is the capability that turns a Zona da Mata practice into a national one — and, alongside a multinational client, it is the real argument for an English tree.

Projects

The work is the product

Their current site has a “Projetos Concluídos” gallery and a “Veja todos os projetos” link, both leading to images with no name, no sector, no date, no city, no drawing and no photography credit. A corporate buyer can do nothing with that. Below is the structure that fixes it, filled with visible placeholders until the real portfolio arrives.

STOCK